Une comédienne et une réalisatrice lisent le scénario d'un film.
Ce dernier rassemble des fragments du journal intime de María Dolores González Katarain, plus connue sous le nom de Yoyes. Elle l'a écrit
pendant son exil au Mexique entre 1980 et 1985, juste après avoir quitté l'ETA, l'organisation armée qu'elle avait dirigée.
Au fil de la lecture, le récit de Yoyes évoque d'autres femmes : Ulrike Meinhof, Simone de Beauvoir, Rocío Díazescobar, Alexandra Kollontai, Tina Modotti.
Dehors, le jour baisse.
An actress and a filmmaker rehearse a film script.
The script gathers fragments from the diary that María Dolores González Katarain, Yoyes, wrote
during her exile in Mexico between 1980 and 1985, right after she quit ETA, the armed
organization she had led for some time. As the script unfolds, glimpses and references to other
women gradually emerge amidst Yoyes' words: Ulrike Meinhof, Simone de Beauvoir, Rocío
Díazescobar, Alexandra Kollontai, Tina Modotti.
Meanwhile, it gets darker outside.
Lur Olaizola
Lur Olaizola Lizarralde (Donostia, 1988) is a film curator and filmmaker. From 2015, she coordinates the audiovisual program at Tabakalera, International Center for Contemporary Culture where she has curated, among others, the focus From the Beginning. Histories of Feminist Cinema, with programs in Tabakalera and Artium. In 2017 she curated the first retrospective of José Val del Omar in New York (Distant Touch: José Val del Omar, Anthology Film Archives).
As a filmmaker she has directed two short films, Xulia (2019) and Zerua Blu (2020, Grand Award Best Spanish Short Film, Zinebi 2020). Her third film is Hirugarren Koadernoa (Third notebook).
In 2021 she was selected to be a Berlinale Talent. Since 2020 she is a professor at Elías Querejeta Zine Eskola. She is part of the selection committee of Punto de Vista festival.
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